{"id":800,"date":"2009-11-16T17:12:58","date_gmt":"2009-11-16T17:12:58","guid":{"rendered":"http:\/\/thedomesticsoundscape.com\/wordpress\/?p=800"},"modified":"2009-11-16T21:40:07","modified_gmt":"2009-11-16T21:40:07","slug":"anthem-by-simon-james-french","status":"publish","type":"post","link":"http:\/\/thedomesticsoundscape.com\/wordpress\/?p=800","title":{"rendered":"Anthem by Simon James French"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/www.facebook.com\/l.php?u=http%253A%252F%252Fdl.dropbox.com%252Fu%252F64328%252Fanthemfront.jpg&amp;h=1a80cb5c687bd3215643438268bd849a&amp;ref=mf\" alt=\"\" width=\"410\" height=\"406\" \/><\/p>\n<p>I met Simon James French at Middlesex University when I was working on the Cut and Splice Domestic Soundscape podcast series. Along with several other artists he came to the informal workshops\/classes I gave there about <em>Sonic Wallpaper<\/em> and contributed to the discussions on that topic which ended up in podcast #2 of the series, <a href=\"http:\/\/thedomesticsoundscape.com\/wordpress\/?page_id=769\">Rooms and Chambers<\/a>.<\/p>\n<p>I have kept in touch with SJF through following his blog <a href=\"http:\/\/plundr.tumblr.com\/\">Plundr Tumblr<\/a> which I really enjoy reading, and was recently interested to read of his EP release, <em>Anthem<\/em>, which can be heard and downloaded <a href=\"http:\/\/simonjamesfrench.co.uk\/album\/anthem?autoplay=true\">here<\/a>.<\/p>\n<p><em>Serfdom<\/em> &#8211; the first track &#8211; opens with generously rich and sonorous drones, the rustle of jeans and a distant patina of joyous voices. These drones continue over the subtly-changing soundscape beneath and there is a delicate, fragmentary quality to the snatches of environmental sound-recordings which move in your peripheral hearing as you listen. Is that a dog&#8217;s collar jingling? A tractor or other trundling, slow-engined vehicle?<\/p>\n<p><em>Plunder<\/em> is distinctly more ominous with more obscure and difficult-to-identify sounds lurking inside one another, ringed by dull, bell-like sounds. The tone darkens in the opening sections of <em>Misery<\/em>. Somewhere around here environmental sounds begin to rise out of the drone-soup and up to the fore, and there are some lovely sonic elements which remind me of my electronic cooker with its tap-tap-tapping sound, the bubbling hiss of onions frying or perhaps even the sound of rain pattering intensely on a surface. I love how the material qualities of sound are used here; how it somehow suggests wetness or dryness, scratchy or smooth, soft or hard, and how this materiality fleshes out the relative purity of the drones. The ethereal dronescape re-emerges towards the end of <em>Misery<\/em> and, surrounded by rustling sounds, there is an almost choral atmosphere to this section &#8211; like someone singing inside electronic wires &#8211; before the ponderous and slowly moving sequences of <em>Falsehood<\/em> open. Metallic, resonant and restless, this track pans about like an animal trying to get comfortable in its hole and fades to emptiness so that the last track &#8211; <em>Shame<\/em> &#8211; can round up the whole EP, which it does, in a rapturous crescendo of tremelo-rich drones, backdropped by what I think is the sound of cars passing.<\/p>\n<p>At times in its gentleness I find this release to be very remeniscent of <a title=\"Greg Davis - Somnia\" href=\"http:\/\/www.autumnrecords.net\/\" target=\"_blank\">Greg Davis&#8217;s<\/a> release, <em>Somnia<\/em>, but where Davis uses very pure drones and melodies which make it feel as though <em>Somnia<\/em> has been composed in a vacuum-sealed box, SJF allows his music to rub shoulders with a bit more environmental texture and I like this difference between the two. I enjoy the use of sounds throughout, and the pacing of each track, and the sense of <em>Anthem<\/em> as a complete work with discrete sections. My only criticism of this release is that the epic quality to the track titles and the release title itself &#8211; <em>Anthem<\/em> &#8211; do not necessarily, at least to my ears, reflect the delicacy and subtlety of the sounds contained throughout. There is something intimate and mellow about <em>Anthem<\/em> with its evocations of interior or familiar environs that I find more like <a title=\"Vespers\" href=\"http:\/\/en.wikipedia.org\/wiki\/Vespers\" target=\"_blank\">vespers<\/a> and less like an <a title=\"Anthem\" href=\"http:\/\/en.wikipedia.org\/wiki\/Anthem\" target=\"_blank\">anthem<\/a>, but I think this is a small point, and the overall sense of choral religiosity in the music makes those giant track titles forgiveable.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I met Simon James French at Middlesex University when I was working on the Cut and Splice Domestic Soundscape podcast series. Along with several other artists he came to the informal workshops\/classes I gave there about Sonic Wallpaper and contributed to the discussions on that topic which ended up in podcast #2 of the series, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[639],"tags":[1969,1970,1968],"class_list":["post-800","post","type-post","status-publish","format-standard","hentry","category-listening","tag-anthem","tag-ep","tag-simon-james-french"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pmise-cU","jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=800"}],"version-history":[{"count":3,"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/800\/revisions"}],"predecessor-version":[{"id":802,"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/800\/revisions\/802"}],"wp:attachment":[{"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=800"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/thedomesticsoundscape.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}