On Sunday, my S H E E P focussed field-recording show played on London’s Resonance FM as part of the Framework afield programme series. You can stream the podcast for yourself here on the Framework website, for one week only.
Here are the notes.
/*framework*/ – phonography / field recording; contextual and
decontextualized sound activity
presented by patrick mcginley
*S H E E P *
Featuring highlights from Greg Wagstaff, the Sounding Dartmoor project and the excellent Freesounds archive, this episode of Framework has largely been arranged around Felicity Ford’s sheep-related recordings.
Since October 2008, Felicity has been informally researching the history of the British Wool Trade in writing, knitting and sound-recording. Her explorations have taken her into the bleak Romney Marshes where wool
was smuggled out of the country for hundreds of years, into smallscale spinning mills, and on the daily rounds of a Wensleydale flock keeper. Growing her own crop of Woad and recording the process of turning it into a dye, she has also met with sheep farmers and learned about the related Indigo-dyeing process.
The sonic aspects of the British Wool Trade recording journey so far have been like wool itself; full of the stories of people, animals and the land, full of the loudness, earthiness, laughter and straightforwardness that accompany hard work, scratchy like the kemp in fleece, and sometimes – like knitting – repetitive, soft, and quiet.
Websites related to the show:
http://www.woolcraftwithwensleydale.com/
http://www.diamondfibres.co.uk/
http://sounds.bl.uk/
http://www.freesound.org/index.php
http://prickyourfinger.com/
00:00 – 00:42 / acclivity / Herdofsheep.wav / freesound project
00:42 – 02:53 / acclivity / sheepandlambs.mp3 / freesound project
02:53 – 03:04 / felicity ford / sick lamb
03:04 – 03:52 / felicity ford / hog in wool
03:52 – 07:11 / felicity ford / Julia Desch talks about breeding
07:11 – 07:28 / felicity ford / miscellaneous baas
07:28 – 08:11 / felicity ford / Julia Desch talks hay
08:11 – 08:49 / felicity ford / Baa-ing Wensleydales
08:49 – 13:56 / felicity ford / a ewe calling for her Son, her Ram-lamb
02:53 – 13:56 all recorded at Beech Hill Farm, Sussex, with Julia Desch
and her small flock of Wensleydale Sheep
13:56 – 14:54 / dobroide / Sample :: 20080302.sheeps.close.wav /
freesound project
14:54 – 26:24 / greg wagstaff / Sheep herding/whistle / Sharpening
scissors/shearing / Barvas Fank / Generator start [distant] / Electric
shears / Touring Exhibition of Sound Environments / Earminded Label
26:24 – 29:08 /nancy sinclair / Farmers collecting sheep for their
annual shearing, near Two Bridges in Devon / Sounding Dartmoor / John
Levack Drever http://www.rermegacorp.com/
29:08 – 30:48 / felicity ford / Rachael Matthews’ Spinning Wheel
30:48 – 33:18 / felicity ford / Diamond Fibres Smallscale spinning mill
33:18 – 34:46 / felicity ford / the sea at Dymchurch / Rachael Matthews’
swift / Dymchurch Beach
34:46 – 37:36 / felicity ford / harvesting the waxy woad leaves
37:36 – 40:32 / felicity ford / woad dyebath preparations
40:32 – 46:41 / felicity ford / indigo dyebath & sheep farmer talk
46:41 – 50:22 / felicity ford / knitting
50:22 – 54:52 / greg wagstaff / Scraping crotal/lichen off a rock /
Traditional wooden hand loom [Joan MacLennan] / Hattersley loom / Rapier
loom, Lewis castle college tweed workshop, Stornoway /Touring Exhibition
of Sound Environments / Earminded Label
————————————————————————
March 23, 2009 | Filed under Art projects, Listening and tagged with acclivity, Barvas Fank, dobroide, earminded label, environmental recordings, field-recordings, framework, greg wagstaff, Joan MacLennan, John Levack Drever, knitting, Nancy Sinclair, patrick mcginley, rachael matthews, resonance FM, Sheep, woad.
Tags: acclivity, Barvas Fank, dobroide, earminded label, environmental recordings, field-recordings, framework, greg wagstaff, Joan MacLennan, John Levack Drever, knitting, Nancy Sinclair, patrick mcginley, rachael matthews, resonance FM, Sheep, woad
This site uses Akismet to reduce spam. Learn how your comment data is processed.
You may transmit content found on this website (excluding my knitting patterns which are protected under International copyright law) under the following conditions:
- You always attribute my work to me, Felicity Ford, including a link back to this site
- You do not alter my work
- You do not use my work for commercial purposes
To discuss any other uses of my work, please contact me directly on the telephone number and email address provided at the top of this blog.
All the work shown here by Felicity Ford is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
From time to time I feature images, sounds or words on this blog which are not my own: in all such cases the original copyright owner is named. International copyright law requires that in order to republish their content, you must seek out their permission.
Thank you for respecting these terms and conditions.
To hear episodes of my podcast, KNITSONIK, please visit KNITSONIK.
Powered by WordPress using the F8 Lite Theme
subscribe to posts or subscribe to comments
All content © 2025 by The Domestic Soundscape
Log in
Pingback: The Domestic Soundscape » Blog Archive » Spinning
Pingback: The Domestic Soundscape » Blog Archive » ::: framework250 compilations ready to ship :::
Pingback: The Domestic Soundscape » Archive » Wovember